![]() Her reprisal of Mary in Der fliengende Holländer and Ruth in The Pirates of Penzance, both with Utah Opera Maman, La tasse chinoise, Un pâtre, and La libellule in L’enfant et les sortileges with Florentine Opera and her return to Houston Grand Opera as a Flowermaiden and Voice from Above in Parsifal were cancelled due to COVID-19, as were her scheduled performances of the Page von Herodias in Salome and Dritte Dame in Die Zauberflöte with the company, Beethoven’s Choral Fantasy with the Houston Symphony, and her role debut as Olga in Eugene Onegin with Wolf Trap Opera as a Filene Artists in the previous season. She sang the title role of Holst’s Savitri with Wolf Trap Opera and previously joined the Metropolitan Opera roster for its production of Die Zauberflöte. She has joined Ars Lyrica Houston for Bach’s Vergnügte Ruh’, beliebte Seelenlust, BWV 170 and Ein Herz, das seinen Jesum lebend weiß, BWV, 134 as well as for a program of Handel and Bach centered upon Hercules. Future seasons include a role debut at Glyndebourne. She also returns to the Metropolitan Opera for its production of La traviata. In the 2021-22 season, she returns to the Staatsoper Stuttgart for further performances of Waltraute in Die Walküre and Third Wood Nymph in Rusalka following her European debut in the company’s new productions of those titles last season. Leia Lensing was lauded by Houstonia magazine for her “clarity and opulent color” in her Houston Grand Opera debut as Mary in Der fliegende Holländer.
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